Jonathan Taylor
Hailed as "One of America’s Foremost Classical Guitarists" by the Philadelphia Inquirer, Jonathan Taylor has captivated audiences around the globe with his passionate artistry, technical brilliance, and commanding stage presence. Known for bringing a fresh energy to classical guitar, he has earned acclaim from critics, conductors, and audiences alike as one of the most dynamic and charismatic performers of his generation.
International press praises Taylor’s virtuosity. The Manila Bulletin describes him as “fiery and magnetic,” while Het Laatste Nieuws in Brussels calls him “one of the finest American guitarists, recitalists, and educators of our time.” The Barbados Advocate lauds him as “a master in his field,” and the Daily Nation in Bridgetown hailed his performance as “a truly extraordinary display,” likening his sound to that of multiple guitars playing in harmony.
Taylor's repertoire spans from the classical canon to contemporary works, showcasing both emotional depth and technical prowess. Soundboard Magazine, published by the Guitar Foundation of America, calls him “an outstanding interpreter of concert repertoire and a rising star in the classical guitar world.”
His musical foundation was shaped by studies at Chapman University under a prestigious Presidential Scholarship. He later led the music department at the Newport Institute of the Arts in Southern California. Taylor also received private instruction from legendary guitarist Pepe Romero, studied with Frederick Noad—renowned author of Solo Guitar Playing—and participated in master classes with the esteemed Christopher Parkening.
Over the course of a distinguished career, Jonathan Taylor has performed extensively throughout Europe, North and South America, and Asia. He has also recorded prolifically, with releases on the Classical International label (USA) and Empire Master Sound Prestige label (Europe). His recordings feature works of formidable technical demand—pieces so challenging that few guitarists dare to attempt them. Critics have remarked that “the notes seem to flow effortlessly from his fingers.”
Hailed as "One of America’s Foremost Classical Guitarists" by the Philadelphia Inquirer, Jonathan Taylor has captivated audiences around the globe with his passionate artistry, technical brilliance, and commanding stage presence. Known for bringing a fresh energy to classical guitar, he has earned acclaim from critics, conductors, and audiences alike as one of the most dynamic and charismatic performers of his generation.
International press praises Taylor’s virtuosity. The Manila Bulletin describes him as “fiery and magnetic,” while Het Laatste Nieuws in Brussels calls him “one of the finest American guitarists, recitalists, and educators of our time.” The Barbados Advocate lauds him as “a master in his field,” and the Daily Nation in Bridgetown hailed his performance as “a truly extraordinary display,” likening his sound to that of multiple guitars playing in harmony.
Taylor's repertoire spans from the classical canon to contemporary works, showcasing both emotional depth and technical prowess. Soundboard Magazine, published by the Guitar Foundation of America, calls him “an outstanding interpreter of concert repertoire and a rising star in the classical guitar world.”
His musical foundation was shaped by studies at Chapman University under a prestigious Presidential Scholarship. He later led the music department at the Newport Institute of the Arts in Southern California. Taylor also received private instruction from legendary guitarist Pepe Romero, studied with Frederick Noad—renowned author of Solo Guitar Playing—and participated in master classes with the esteemed Christopher Parkening.
Over the course of a distinguished career, Jonathan Taylor has performed extensively throughout Europe, North and South America, and Asia. He has also recorded prolifically, with releases on the Classical International label (USA) and Empire Master Sound Prestige label (Europe). His recordings feature works of formidable technical demand—pieces so challenging that few guitarists dare to attempt them. Critics have remarked that “the notes seem to flow effortlessly from his fingers.”
